Favourite poem

[Chain Mailer]

I've got two favourites, (granted one I first heard in a film and the other was on a gravestone so culture and good literature are obviously not my strong points)

'Had I the heavens' embroidered cloths,
Enwourght with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams beneath your feet;
Tread softly, for you tread on my dreams.'


W. B. Yeats
This is just a beautiful little poem that could mean so much if said or written at the right moment


'Good people as you pass me by
Pray, you cast on me an eye
For as you are so once was I
And as I am so must you be
So be prepared to follow me'

Grave stone slab in the cathedral grounds

This is just wicked and I like the rhymn


[hr]

Not one shred of evidence supports the notion that life is serious

[KateBush]

Hugh MacDiarmid, The Little White Rose (1934)

The rose of all the world is not for me.
I want for my part
Only the little white rose of Scotland
That smells sharp and sweet - and breaks
the heart.

-----------
Jist ti Let Yi No (Tom Leonard- from the American of Carlos Williams)

ahv drank
the speshlz
that wurrin
thi frij

n thit
yiwurr probbli
hodn back
furthi pahrti

awright
they wur great
thaht stroang
thaht cawld

[hr]

The only way to avoid trouble is to BE trouble

[Rilla]

Canal Bank Walk
Leafy-with-love banks and the green waters of the canal
Pouring redemption for me, that I do
The will of God, wallow in the habitual, the banal,
Grow with nature again as before I grew.
The bright stick trapped, the breeze adding a third
Party to the couple kissing on an old seat,
And a bird gathering materials for the nest for the Word
Eloquently new and abandoned to its delirious beat.
O unworn world enrapture me, encapture me in a web
Of fabulous grass and eternal voices by a beech,
Feed the gaping need of my senses, give me ad lib
To pray unselfconsciously with overflowing speech
For this soul needs to be honoured with a new dress woven
From green and blue things and arguments that cannot be proven.

Patrick Kavanagh



or



An Irish Airman Foresees His Death

I know that I shall meet my fate
Somewhere among the clouds above:
Those that I fight I do not hate,
Those that I guard I do not love:
My country is Kiltartan Cross,
My countrymen Kiltartan's poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
Yeats

[hr]

Be good to yourself because nobody else has the power to make you happy.

[kitty]

My mistress's eyes are nothing like the sun;
Coral is far more red than her lip's red;
If snow be white, why then her breasts are dun,
If hair be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
In some perfumes there is more delight
Than the breath with which my mistress reeks.
I love to hear her speak, yet well I know,
Music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

-Shakespeare Sonnet 130

A VALEDICTION FORBIDDING MOURNING.
by John Donne


AS virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
"Now his breath goes," and some say, "No."

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move ;
'Twere profanation of our joys
To tell the laity our love.

Moving of th' earth brings harms and fears ;
Men reckon what it did, and meant ;
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers' love
—Whose soul is sense—cannot admit
Of absence, 'cause it doth remove
The thing which elemented it.

But we by a love so much refined,
That ourselves know not what it is,
Inter-assurèd of the mind,
Care less, eyes, lips and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.

If they be two, they are two so
As stiff twin compasses are two ;
Thy soul, the fix'd foot, makes no show
To move, but doth, if th' other do.

And though it in the centre sit,
Yet, when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must,
Like th' other foot, obliquely run ;
Thy firmness makes my circle just,
And makes me end where I begun.

[Lindsay]

The Tay Bridge Disaster

Beautiful Railway Bridge of the Silv'ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.

'Twas about seven o'clock at night,
And the wind it blew with all its might,
And the rain came pouring down,
And the dark clouds seem'd to frown,
And the Demon of the air seem'd to say-
"I'll blow down the Bridge of Tay."

When the train left Edinburgh
The passengers' hearts were light and felt no sorrow,
But Boreas blew a terrific gale,
Which made their hearts for to quail,
And many of the passengers with fear did say-
"I hope God will send us safe across the Bridge of Tay."

But when the train came near to Wormit Bay,
Boreas he did loud and angry bray,
And shook the central girders of the Bridge of Tay
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.

So the train sped on with all its might,
And Bonnie Dundee soon hove in sight,
And the passengers' hearts felt light,
Thinking they would enjoy themselves on the New Year,
With their friends at home they lov'd most dear,
And wish them all a happy New Year.

So the train mov'd slowly along the Bridge of Tay,
Until it was about midway,
Then the central girders with a crash gave way,
And down went the train and passengers into the Tay!
The Storm Fiend did loudly bray,
Because ninety lives had been taken away,
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.

As soon as the catastrophe came to be known
The alarm from mouth to mouth was blown,
And the cry rang out all o'er the town,
Good Heavens! the Tay Bridge is blown down,
And a passenger train from Edinburgh,
Which fill'd all the peoples hearts with sorrow,
And made them for to turn pale,
Because none of the passengers were sav'd to tell the tale
How the disaster happen'd on the last Sabbath day of 1879,
Which will be remember'd for a very long time.

It must have been an awful sight,
To witness in the dusky moonlight,
While the Storm Fiend did laugh, and angry did bray,
Along the Railway Bridge of the Silv'ry Tay,
Oh! ill-fated Bridge of the Silv'ry Tay,
I must now conclude my lay
By telling the world fearlessly without the least dismay,
That your central girders would not have given way,
At least many sensible men do say,
Had they been supported on each side with buttresses,
At least many sensible men confesses,
For the stronger we our houses do build,
The less chance we have of being killed.

W.T. MacGonagall

[hr]

[Thalia]

We dance round in a ring and suppose,
But the Secret sits in the middle and knows.

Either that or:

Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.

Both by Robert Frost

[hr]

You've been nothing but an angel every day of your life and now you wonder what it's like to be damned...

[sweet]

You can't help but like:

This be the Verse


They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.

But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another's throats.

Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don't have any kids yourself.

Philip Larkin

[Griggsy]

Do not stand at my grave and forever weep.
I am not there; I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn’s rain.
When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and forever cry.
I am not there. I did not die.

Bit morbid, but sends a shiver down my spine

[hr]

'I run wild in the shadowy jungle of erotic adventures.'

[Rufus]

Let it go

It is this deep blankness is the real thing strange.
The more things happen to you the more you can't
tell or remember even what they were.

The contradictions cover such a range.
The talk would talk and go so far aslant.
You don't want madhouse and the whole thing there.

--William Empson


Bride and Groom Lie Hidden for Three Days


She gives him his eyes, she found them
Among some rubble, among some beetles

He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment

She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her

He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and
laughing, incredulous

Now she has brought his feet, she is connecting them
So that his whole body lights up

And he has fashioned her new hips
With all fittings complete and with newly wound coils, all
shiningly oiled
He is polishing every part, he himself can hardly believe it

They keep taking each other to the sun, they find they can easily
To test each new thing at each new step

And now she smooths over him the plates of his skull
So that the joints are invisible
And now he connects her throat, her breasts and the pit of
her stomach
With a single wire

She gives him his teeth, tying their roots to the centrepin of his body

He sets the little circlets on her fingertips

She stitches his body here and there with steely purple silk

He oils the delicate cogs of her mouth

She inlays with deep-cut scrolls the nape of his neck

He sinks into place the inside of her thighs

So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care

They bring each other to perfection.

--Ted Hughes.

[mhuzzell]

'One Art' by Elizabeth Bishop.

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

---Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

[groucho]

I've always liked Holy Willie's Prayer by Robert Burns, even though it was one we studied in school. Here it is - it's a long one!

O Thou, who in the heavens does dwell,
Who, as it pleases best Thysel',
Sends ane to heaven an' ten to hell,
A' for Thy glory,
And no for ony gude or ill
They've done afore Thee!

I bless and praise Thy matchless might,
When thousands Thou hast left in night,
That I am here afore Thy sight,
For gifts an' grace
A burning and a shining light
To a' this place.

What was I, or my generation,
That I should get sic exaltation,
I wha deserve most just damnation
For broken laws,
Five thousand years ere my creation,
Thro' Adam's cause?

When frae my mither's womb I fell,
Thou might hae plunged me in hell,
To gnash my gums, to weep and wail,
In burnin lakes,
Where damned devils roar and yell,
Chain'd to their stakes.

Yet I am here a chosen sample,
To show thy grace is great and ample;
I'm here a pillar o' Thy temple,
Strong as a rock,
A guide, a buckler, and example,
To a' Thy flock.

O Lord, Thou kens what zeal I bear,
When drinkers drink, an' swearers swear,
An' singin there, an' dancin here,
Wi' great and sma';
For I am keepit by Thy fear
Free frae them a'.

But yet, O Lord! confess I must,
At times I'm fash'd wi' fleshly lust:
An' sometimes, too, in wardly trust,
Vile self gets in:
But Thou remembers we are dust,
Defil'd wi' sin.

O Lord! yestreen, Thou kens, wi' Meg-
Thy pardon I sincerely beg,
O! may't ne'er be a livin plague
To my dishonour,
An' I'll ne'er lift a lawless leg
Again upon her.

Besides, I farther maun allow,
Wi' Leezie's lass, three times I trow-
But Lord, that Friday I was fou,
When I cam near her;
Or else, Thou kens, Thy servant true
Wad never steer her.

Maybe Thou lets this fleshly thorn
Buffet Thy servant e'en and morn,
Lest he owre proud and high shou'd turn,
That he's sae gifted:
If sae, Thy han' maun e'en be borne,
Until Thou lift it.

Lord, bless Thy chosen in this place,
For here Thou hast a chosen race:
But God confound their stubborn face,
An' blast their name,
Wha bring Thy elders to disgrace
An' public shame.

Lord, mind Gaw'n Hamilton's deserts;
He drinks, an' swears, an' plays at cartes,
Yet has sae mony takin arts,
Wi' great and sma',
Frae God's ain priest the people's hearts
He steals awa.

An' when we chasten'd him therefor,
Thou kens how he bred sic a splore,
An' set the warld in a roar
O' laughing at us;-
Curse Thou his basket and his store,
Kail an' potatoes.

Lord, hear my earnest cry and pray'r,
Against that Presbyt'ry o' Ayr;
Thy strong right hand, Lord, make it bare
Upo' their heads;
Lord visit them, an' dinna spare,
For their misdeeds.

O Lord, my God! that glib-tongu'd Aiken,
My vera heart and flesh are quakin,
To think how we stood sweatin', shakin,
An' pish'd wi' dread
While he, wi' hingin lip an' snakin,
Held up his head.

Lord, in Thy day o' vengeance try him,
Lord, visit them wha did employ him,
And pass not in Thy mercy by 'em,
Nor hear their pray'r,
But for Thy people's sake, destroy 'em,
An' dinna spare.

But, Lord, remember me an' mine
Wi' mercies temp'ral an' divine,
That I for grace an' gear may shine,
Excell'd by nane,
And a' the glory shall be thine,
Amen, Amen!

[angel_kohaku]

I loved Holy Willie's Prayer.

I loved most of Burns' poems though, mostly the satire ones.

[hr]

I may be a pretty sad case but I don't write jokes in base 13

[Queeg]

To the (non-literary) geeks on Valentine's Day

Roses are #FF0000,
Violets are #0000FF,
All my base,
Are belong to you.

What?!

[hr]

Mea navicula pendens anguillarum plena est.

[Marco Biagi]

The Love Song of J Alfred Prufrock, by TS Eliot.

I think it might be too long to post, so here's the link: http://www.bartleby.com/198/1.html

[Rob Milsom]

Ozymandias - Shelley


I met a traveller from an antique land
Who said:—Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.


[hr]

[i]Is tresa tuath na tighearna

[a gentleman]

This is my favourite poem.

"John Peel"

Do ye ken John Peel
with his coat so gay?
do ye ken John Peel
At the break of day?
Do ye ken John Peel
When he's far, far away
With his hounds and his horn
In the morning
Twas the sound of his horn
Brought me from my bed
And the cry of his hounds
Aas me oftimes led
For Peel's view holloa
Would wake the dead
Or a fox from his lair
In the morning
Do ye ken that hound
Whose voice is death?
Do ye ken her sons
Of peerless faith
Do ye ken that a fox
With his last breath
Cursed them all as he died
In the morning?
Yes, I ken John Peel
And auld Ruby, too
Ranter and Royal
And Bellman so true
From the drag to the chase,
From the chase to the view
From the view to the death
In the morning
And I've followed John Peel
Both often and far
O'er the rasper fence
And the gate and the bar
From Low Denton Holme
To the Scratchmere Scar
When we vied for the brush
In the morning
Then here's to John Peel
With my heart and soul
Come fill, fill to him
A brimming bowl
For we'll follow John Peel
Thro fair or thro foul
While we're waked by his horn
In the morning

[Sketch Artist]

I THOUGHT IT WAS TANGIERS I WANTED

I know now
That Notre Dame is in Paris,
And the Seine is more to me now
Than a wriggling line on a map
Or a name in travel stories.

I know now
There is a Crystal Palace in Antwerp
Where a hundred women sell their naked bodies,
And the night-lovers of sailors
Wait for men on docks in Genoa.

I know now
That a great golden moon
Like a picture-book moon
Really rises behind palm groves
In Africa,
And tom-toms do beat
In village squares under the mango trees.

I know now
That Venice is a church dome
And a net-work of canals,
Tangiers a whiteness under sun.

I thought
It was Tangiers I wanted,
Or the gargoyles of Notre Dame,
Or the Crystal Palace in Antwerp,
Or the golden palm-grove moon in Africa,
Or a church dome and a net-work of canals.

Happiness lives nowhere,
Some old fool said,
If not within oneself.

It's a sure thing
Notre Dame is in Paris,
But I thought it was Tangiers I wanted.

--Langston Hughes

[Manic23]

Thirteen Ways of Looking at a Blackbird


I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII
The river is moving.
The blackbird must be flying.

XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

Wallace Stevens


Also, I have a lot of time for Rudyard Kipling's epitaphs, which are too long to post here, but can be found on this link.

http://whitewolf.newcastle.edu.au/words ... taphs.html

[moi]

A blink I think is the same as a wink,
A blink is a wink that grew,
A wink you wink with only one eye and a blink you wink with two.....

[BenEsq]

For nations vague as weed,
For nomads among stones,
Small-statured cross-faced tribes
And cobble-close families
In mill-towns on dark mornings
Life is slow dying.

So are their separate ways
Of building, benediction,
Measuring love and money
Ways of slow dying.
The day spent hunting pig
Or holding a garden-party,

Hours giving evidence
Or birth, advance
On death equally slowly.
And saying so to some
Means nothing; others it leaves
Nothing to be said.
- Philip Larkin

[hr]

Lions and tigers and bears...Oh my!