by EditorBZ on Sat Jun 21, 2003 3:01 pm
My favorite bit has to be the very end.
STOP READING HERE IF YOU'VE NOT SEEN IT
(sorry, just playing safe)
When, in the psycotic pastiche after the taxi breakout, you see a lovely hillside with 'HELL' printed in white letters, at first you are confused. "What is this," you wonder, "his mind's conception of where he's heading, or some filmmaker's idea of artistry?" But later, when the plane flies by and the last scrap of fabric is rushed out, you realise it is little more than an aerial shot of where the threesome now resides. 'HELL' is merely a 'HELLO'-in-progress. Genius.