by Sir Tufton Bufton on Sat Mar 20, 2004 2:04 am
Intersting to see so many books I read a long time ago and should reread...
My choices would be, in no particular order:
'Earthly Powers' by Anthony Burgess. A rollicking journey through the 20th century.
'Lucky Jim' by Kingsley Amis. The book that defined a genre. Anti establishment, anti pomposity, anti class, anti pseudo-intellectuals. How many books considered 'literature' make you roar with laughter?
'The Great Gatsby' by F. Scott FitzGerald. If you can get through the last paragraph without feeling a lump in your throat, you're a better wo/man than me. And so stylish. His only great work.
'In Cold Blood' by Truman Capote. Is it a novel? Is it reportage? Neither and both, and written with a spare muscularity not seen and perhaps not expected after reading the likes of 'Breakfast at Tiffany's'.
'The Catcher in the Rye' by J.D. Salinger. All those stock platitudes from angst ridden high schoolers who can't yet step beyond the book enough to understand it don't matter much; reread it and rediscover why it's great.
'Deliverance' by James Dickey. So chilling in its matter of fact narrative. Chance events, repercussions, changed lives, and, at the end of it all, uncertainty. Who was right? What really happened? Where is the morality?
'Sophie's Choice' by William Styron. Styron teases the story out of the eponymous heroine, interweaving with it a commentary on American life and sexuality, gradually revealing a climax both horrifying and compassionate. How could anyone ever make the choice that Sophie had to make? How could they live with themselves afterwards?
'Coming From Behind' by Howard Jacobson. Uproarious take on faculty insecurities played out against a dingy industrial background. Even in success, the hero fails spectacularly.
'Filth' by Irvine Welsh. Better than the more well known 'Trainspotting', and resonates with me since I am Scottish. Intertwined lives deal with sex, drugs, crime and death as school friends gorw older and (in some cases), up.
'Headlong' by Michael Frayn. A page turner. You squirm as the protagonist gets himself in ever increasing intellectual, moral, marital and financial trouble, yet you will him on....
'The Bonfire of the Vanities' by Tom Wolfe. Rarely has a novel reflected its time and place so well, and never with Wolfe's unique style.
'The Right Stuff' by Tom Wolfe. Riveting narrative of the early days of NASA. The descriptions of Shepard's and Glenn's missions are wonderful, as is the account of CHuck Yaeger's record attempt. What's more, Wolfe goes behind the technology to the people themselves; this is no paean to progress.
'Rites of Passage' by William Golding. Maybe my favourite book. All things are here: an exciting journey, social class, sexual politics, isolation, fear, religion, shame and wonderful language. It is a microcosm of 19th century Britain. Golding planned to end it with the ship still at sea, but its popularity made him change his mind and write two sequels. They are also good, but sometimes I wish they hadn't been written. Sometimes it can be better to leave things unsaid, questions unanswered. The captain of the never-named ship wanted the voyage to continue forever; I wanted the book to do the same.
Also, since most have avoided mentioning their dislikes (Of course, these are merely opinions):
James Joyce: 'Ulysses'/'Finnegan's Wake': Interesting for their experimental approach, but couldn't that have been achieved in 50 pages rather than 800?
Gabriel Garcia Marquez: I just never could get into magical realism. Tried to like 'Eva Luna' and some other Isabel Allende stuff with no more success.
Toni Morrison: Every page of 'Beloved' was torture.
And most fantasy: yuck. Terry Pratchett? Fine for 14 year olds imho.